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Lecturer
Neil Oseman
Lecturer

Neil Oseman

Photography
Cinematography
  • Profile & Courses
  • Blogs

About Neil Oseman

Director of Photography

Students Globally: > 3,600

 

I am a cinematographer with 20 years' experience. Features I’ve shot include The Little Mermaid with Academy Award winner Shirley MacLaine, supernatural thriller Heretiks with Michael Ironside, and the multi-award-winning road movie Above the Clouds. I have photographed another half–dozen independent feature films, and innumerable shorts, for which I have been awarded Best Cinematography at the New York Cinematography Awards, Play Short International Awards, Enginious Film Awards and Festigious International Film Festival. I was also nominated for six Best Cinematography awards for my work on the action/adventure series Ren: The Girl with the Mark.

Second only to my love of cinematography is my passion for sharing my knowledge of it. I have given workshops and lectures to audiences of all kinds, from students to professionals, for such organisations as the British Film Institute and the Institute of Amateur Cinematographers. I write for British Cinematographer, the official magazine of the BSC, as well as RedShark News and my own blog. I also post a lighting breakdown every Friday on my highly popular Instagram feed.

  • Courses by Neil Oseman

Skill Level
Cinematic Lighting: Day Exterior

Neil Oseman

Cinematic Lighting: Day Exterior
Cinematic Lighting: Day Exterior
Intermediate

1h 5m

Intermediate

1h 5m


S$4.95 S$24.75
Added Add to Wishlist
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Skill Level
Cinematic Lighting: Day Interior

Neil Oseman

Cinematic Lighting: Day Interior
Cinematic Lighting: Day Interior
Intermediate

1h 11m

Intermediate

1h 11m


S$4.95 S$24.75
Added Add to Wishlist
Filter
Skill Level
Cinematic Lighting: Night Interior

Neil Oseman

Cinematic Lighting: Night Interior
Cinematic Lighting: Night Interior
Intermediate

1h 5m

Intermediate

1h 5m


S$4.95 S$24.75
Added Add to Wishlist
Filter
Skill Level
Cinematic Lighting: Night Exterior

Neil Oseman

Cinematic Lighting: Night Exterior
Cinematic Lighting: Night Exterior
Intermediate

60m

Intermediate

60m


S$4.95 S$24.75
Added Add to Wishlist
Filter
Skill Level
Defying Gravity on Film...
Filmmakers have used all kinds of tricks over the years to show low or zero gravity on screen, from wire work to underwater shooting, and more recently even blasting off to capture the real th...
Sep 26, 2022
The History of Virtual Production...
Virtual production has been on everyone’s lips in the film industry for a couple of years now, but like all new technology it didn’t just appear overnight. Let’s trace the incremental steps th...
Sep 12, 2022
How to do Scenes on a Moving Train...
The publicity machine is ramping up for Kenneth Branagh’s Murder on the Orient Express remake, and it’s got me thinking about the challenges of a script set largely on a moving train....
Aug 27, 2022
Will “The Mandalorian” Revolutio...
Greig Fraser, ASC, ACS and Baz Idoine were awarded the Emmy for Outstanding Cinematography for a Single-camera Series (Half-hour) for The Mandalorian. I haven’t yet seen this Star Wars TV seri...
Aug 26, 2022
Lighting with LED Screens...
LED lighting has found its way onto most sets now, but there is another off-shoot of LED technology which I see cropping up more and more in American Cinematographer articles....
Aug 18, 2022
5 Tips for Lighting a Green Screen...
Green screen work is almost unavoidable for a modern cinematographer. In an age when even the most basic of corporates might use the technique, and big blockbusters might never leave the green...
Aug 10, 2022
How Colour Works...
Colour is a powerful thing. It can identify a brand, imply eco-friendliness, gender a toy, raise our blood pressure, calm us down. But what exactly is colour? How and why do we see it? And how...
Aug 08, 2022
Alexa ProRes ISO Tests...
I’ve shot three features on Arri Alexas, but I’ve never moved the ISO away from its native setting of 800 for fear of noise and general image degradation. Recently I read an article about the ...
Aug 03, 2022
6 Ways to Judge Exposure...
Exposing the image correctly is one of the most important parts of a cinematographer’s job. Choosing the T-stop can be a complex technical and creative decision, but fortunately there are many...
Aug 01, 2022
Exposure Part 4: ISO...
So far in this series we have seen how we can adjust exposure using aperture, which affects depth of field, ND filters, which can help us retain the depth of field we want, and shutter angle, ...
Aug 01, 2022
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